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Why Sakuga MADs rub me the wrong way

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We all know AMVs. Spliced together scenes from anime to the back­ing track of the creator’s favour­ite song. Every­one has their stor­ies of how a cer­tain AMV got them inter­ested in a cer­tain anime (although I’m strug­gling to think of a per­sonal example). How­ever some AMVs cobble together clips from vari­ous dif­fer­ent anime. Some­times it’s just because it looks cool, but other times they have a spe­cific goal in mind. There’s a trend, ori­gin­at­ing from the Japan­ese side of fan­dom, of tak­ing clips from a single anim­at­ors work and cob­bling them together to show off their anim­a­tion style.

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This Sak­uga MAD (since I feel like being wee­aboo for a change) has clipped together the work of Hiroy­uki Imaishi, the fam­ous dir­ector who did Gur­ren Lagann. The guy has a rather unique anim­a­tion style that is much more car­toon­ish than what you’re more used to see­ing in anime. It’s inter­est­ing to see, from an anim­a­tion stand­point, how he brings his style to other anime that nor­mally aren’t quite as car­toon­ish, such as Full Metal Alchem­ist. There’s plenty of these sak­uga MADs out there (cheers to J159 for this link). I recog­nised a grand total of 3 of the names on that list, and they were all people who had taken more prom­in­ent roles as dir­ect­ors as well as just anim­at­ors, namely Yuasa, Koike and the afore­men­tioned Imaishi.

So this is all very inter­est­ing and stuff, but the title of this post implied I wasn’t par­tic­u­larly a fan of these. More spe­cific­ally, sak­uga nerds rub me the wrong way. There’s a tend­ency to focus on the fluid­ity of the anim­a­tion or the dynamic nature of the cam­era angles, not the dir­ect­ing or how this anim­a­tion adds to the story. Yes I take interest in anim­a­tion myself and fre­quently com­ment on how it’s used in an anime, but that’s because I’m watch­ing a visual medium. Your visu­als should tell the story as much, if not more, than any of the talk­ing should do. All the dra­matic cam­era angles and exag­ger­ated facial expres­sions are used to tell part of the story. But sak­uga nerds seem to fre­quently ignore this part and just focus on the qual­ity of the anim­a­tion in of itself.

Sak­uga MADs are a per­fect example of this. The clips are divorced from their ori­ginal mean­ing. We have no con­text for what is sup­posed to be going on here. Actu­ally I take that back, we do have con­text: the anim­ator whose name is cred­ited for hav­ing provided us with that clip. The story is not about the car­toon in ques­tion, but the anim­ator him­self. Not only have we removed the con­text of the anime itself, we’ve changed it to mean­ing solely about the anim­a­tion. Even the anime them­selves blend into one single anim­a­tion style, because that’s the entire intent. High­light how this anim­ator uses sim­ilar tech­niques on each anime they work on. It’s anim­a­tion for animation’s sake.

But Scamp” I pre­tend to hear you say. “What’s wrong with that? Can’t someone enjoy anim­a­tion as some­thing dif­fer­ent to the story?” I guess that yes, there is noth­ing wrong with that. If you get your kicks from enjoy­ing qual­ity anim­a­tion, then good for you. It rubs me per­son­ally the wrong way, because I want every part of an anime, and any storytelling medium, to ulti­mately con­trib­ute to the story itself. I’ve said it many times before, from cute­ness to tits ‘n ass, everything should con­trib­ute to the story. But then why should I demand that every­one hold the same views? I shouldn’t, basic­ally. But if you fol­low that line of reas­on­ing, then you run the risk of never crit­ic­ally assess­ing any­thing you review, when every­one has dif­fer­ent ideas of how the qual­ity should be judged. There are people whose enjoy­ment is based entirely upon how many lines Hanazawa Kana gets. You have to set out a stall of what con­sti­tutes qual­ity, and I’ve set out mine. If you like watch­ing anime simply for good anim­a­tion, then that’s your prerogative.

There is a spe­cific example I can think of where sak­uga nerds really piss me off though. Some­times for long run­ning shounen series, most not­ably with Naruto, they bring on board a team of anim­at­ors for a spe­cific key epis­ode. Gen­er­ally this means much bet­ter anim­ated fight sequences and the Naruto fan­base are incred­ibly pleased by the res­ults. Some­times though they bring on board slightly more exper­i­mental anim­at­ors and the res­ults don’t really sit well with the Naruto fan­base. Not hav­ing the know­ledge of what’s going on here, they try to explain the prob­lems by maybe this epis­ode got a very small budget, or maybe the anim­at­ors were simply lazy. Sak­uga nerds will occa­sion­ally show up for these epis­odes alone to mar­vel at their favour­ite anim­at­ors work. And then they have the balls to mock the Naruto fan­base for cri­ti­cising the epis­ode when they haven’t a fuck­ing clue what the con­text for this epis­ode was? How the anim­a­tion style for this epis­ode might have totally gone against the mood the pre­vi­ous sev­eral hun­dred epis­odes had been build­ing up? They have the arrog­ance to declare they know bet­ter as to when an epis­ode of Naruto is of super­ior qual­ity? That pisses me off.

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33 Comments

  1. gw_kimmy
    Posted November 28, 2011 at 8:37 pm | Permalink

    god i love the run­ning man amv. and nos­tromo in gen­eral. magic pad and auriga were the bomb. that is all.

  2. Posted November 28, 2011 at 9:07 pm | Permalink

    Because they are/were Naruto fans.

    The boom in west­ern sak­uga nerds is down to Naruto. Spe­cific­ally the epis­odes anim­ated by Norio Mat­sumoto before the filler hell fell upon the series.

    It’s not the Naruto fan­base that hates the so called sak­uga epis­odes, it’s ele­ments within it, and ele­ments within it are shout­ing back at them.

    I don’t fre­quent places were Naruto fans do this arguing, but I do fre­quent them where One Piece fans do. And it hap­pens week in week out. From the reg­u­lar view­ers of One Piece, not the myth­ical elit­ist sak­uga otaku drop­ping in from their ivory towers tak­ing a break from well anim­ated but unfunny out of con­text clips of KyoAni shows, to bemoan the com­mon shonen fan on the street.

    A huge swathe of sak­uga nerds in west­ern fan­dom were born from Naruto, One Piece and other long run­ning shows. I’m going to say it’s due to the wildly dif­fer­ent anim­a­tion styles you get from hav­ing to run mul­tiple pro­duc­tion crews, week in week out, for years, and a ded­ic­ated fan­base that can ignore the bad weeks.

    On a 13 week show, you might get one ter­rible epis­ode, four epis­odes in, and give up. For example, ALL GONZO SHOWS. But if you pick up a Shonen Jump based show, you are in for the long haul regardless.

    And so you’ll start to recog­nise shifts in anim­a­tion style and work out which ones you like and don’t like. And as the story could be fol­lowed in the manga any­way (or by the expans­ive story slow­ing recaps), you might just skip some epis­odes you don’t like. This goes from both sides of the “sak­uga” epis­ode fence — after all the fans who like the more “on model” epis­odes are sak­uga fans in their own way, they might not just identify them­selves as such.

    The real enemy of the sak­uga fan, is the fan who takes a single cel, often a smear or inbetween, and declares a show or epis­ode bad.

    • Scamp
      Posted November 29, 2011 at 11:31 am | Permalink

      Can’t really com­ment because I’m hardly an expert in the area of shift­ing styles in long run­ning series, but I did find the line about how on-model fans are just as much sak­uga fans interesting

  3. Posted November 28, 2011 at 9:09 pm | Permalink

    You put for­ward a sens­ible argu­ment per se. How­ever I think it’s worth point­ing out that you’re actu­ally only men­tion­ing one side of this issue.

    Ulti­mately anim­a­tion is still just anim­a­tion. Any aspect of it is fair game for cri­ti­cism, may it be nar­rat­ive con­text or cine­ma­to­graphy or whatever. It’s per­fectly okay to play the game where one con­tex­tu­al­ized camp cri­ti­cizes another camp for miss­ing out on that con­text, even if it’s ulti­mately hypo­crit­ical. But I think you’re not even at this level.

    Because you are not con­sid­er­ing both sides’ point of view. Basic­ally you have some loud, vocal fan­dom (eg., Naruto fans, Gur­ren Lagann epis­ode 4 type situ­ations) decry­ing some­thing that sak­uga fans actu­ally like and enjoy, and would go out of their com­fort zone and watch those things, to engage with “naruto fans” (which is not exactly known as well-meaning and enlightened group of people) to explain and defend the anim­a­tion on those basis.

    I mean put­ting myself in their shoes, it’s per­fectly under­stand­able why they would have the balls to cri­ti­cize Naruto fans, for example. It’s a “you hate my favor­ite band because XYZ” situ­ation, where “you” is a large, vocal group. Because it’s that group which is “in the wrong” in the first place. Not that I com­pletely agree with your exact char­ac­ter­iz­a­tion in the first place and I prob­ably would care less about what Naruto fans has to say com­ing from a nar­rat­ive per­spect­ive, but surely this is not some­thing that just hap­pens for no reason. It’s pretty clearly a case where it takes two to tango, and when you leave out the other side of the equa­tion it makes your argu­ment a lot less credible.

    • Scamp
      Posted November 29, 2011 at 11:37 am | Permalink

      Fair enough, but there is a sense of superi­or­ity that sak­uga fans have when they see the ‘true’ story, ignor­ing the legit­im­ate cri­ti­cisms of Naru­tard #1245 that the anim­a­tion style for the epis­ode looked weird and unlike what they were expecting.

      Also, not really related, but of course I only covered a small part of the argu­ment. You made a sim­ilar cri­ti­cism of my fanser­vice post that I was only look­ing at one part of the over­all pic­ture in isol­a­tion. That’s because both that post and this one are only meant to high­light that spe­cific area. That’s a prob­lem I feel your posts have. You try to cover so many view­points in a lim­ited space which leaves your posts garbled and incomprehensible

  4. Posted November 28, 2011 at 9:33 pm | Permalink

    Yeah, Naruto fans are arguing the animation’s con­text… riiiight.

    A lot of fans out there simply can’t spot fluid anim­a­tion, and simply equate ‘exper­i­mental’ with ‘poorly drawn’, which is flat out incor­rect. And when someone calls some­thing he doesn’t under­stand ‘shitty’, people who know bet­ter are either going to ignore him or con­front him, and I doubt they’ll warm up too kindly to his slander born out of ignorance.

    • Scamp
      Posted November 29, 2011 at 2:36 pm | Permalink

      Con­grats for being the pre­dict­able moron by using the explan­a­tion that Naruto fans are mor­ons –_–

      The fact that they didn’t like it is unques­tion­able. They think it looks “shitty” because it didn’t cor­res­pond to what they were expect­ing it would look like. The only way they have been pro­grammed to think like that is because of the anime itself. In that sense, it’s the anime’s fault for mak­ing them think like that in the first place and then pla­cing anim­a­tion that didn’t mesh with what they had bred the audi­ence to expect.

      They may not under­stand why it looks the way it does, but they do under­stand their own feel­ings in that it didn’t look well within the con­text of Naruto

      • Posted November 29, 2011 at 4:42 pm | Permalink

        Not all Naruto fans; just the ones that are com­plain­ing as I describe them as com­plain­ing (note that 1– plenty of Naruto fans liked all of these anim­a­tion shifts, 2– I AMNARUTO FAN).

        In the typ­ical rant, you will find ‘shitty’, ‘poor’, ‘lazy’, ‘money’: there is no defense of this. It is incor­rect. It is incor­rect AND insult­ing. And when someone is incor­rect and insult­ing about it, you call that per­son what, Scamp? You call them a… MORON!

        They do under­stand their own feel­ings”: wrong. They feel simply that they don’t like it; they have no *under­stand­ing* of why they feel that way. You never hear them say “I don’t like it because it’s dif­fer­ent”, which is what you attrib­ute to them, which is still ques­tion­able (give them an altern­ate (to the main) anim­a­tion style that they find enjoy­able and let’s see if they bitch about it being ‘poor’, etc).

        Ulti­mately, you’re try­ing to make someone else’s point for them. Stick to your own point (that it is YOU who favors con­sist­ency) and you’d be fine.

      • Scamp
        Posted November 29, 2011 at 7:37 pm | Permalink

        Umm, they do under­stand why they feel that way. Because the anim­a­tion doesn’t look right to them. Hence why they call it shitty and poor

        Also I dis­agree with the idea that we shouldn’t try to argue what other people are think­ing. Yes we might get it wrong, but without that there would be no crit­ical think­ing about…well, people in general.

  5. Posted November 28, 2011 at 9:33 pm | Permalink

    Ah, this makes a bit more sense than your tweet a couple of weeks ago (as one would expect — tweets are also lack­ing in con­text, by and large).

    I don’t know sak­uga nerds, and maybe I approach that sak­uga stuff from an odd angle, but I view the atten­tion that sak­uga is get­ting now to be a good thing. Anim­a­tion is an art. As you say, it’s a story-telling art, but it is an art. Art is an assemblage of tech­niques, and the sak­uga MADs focus on indi­vidual artists and their tech­niques. By becom­ing famil­iar with the tech­niques, by con­trast­ing the dif­fer­ent approaches of dif­fer­ent artists, you can achieve a deeper appre­ci­ation of the art. The same goes for cuts, cam­era angles, fram­ing, per­spect­ive, dis­tor­tion, and color choice (all of which fall into the sak­uga bin, I guess).

    By look­ing at the ele­ments in isol­a­tion, I think you get a bet­ter appre­ci­ation for how those ele­ments are assembled, and how they con­trib­ute (or not) to the over-all story. This maybe doesn’t apply to your Naruto–invad­ing sak­uga nerds, but who cares about them?

    Another example (not anime, but manga, as it hap­pens): in these essays a Japan­ese critic looks at film edit­ing tech­niques, or pat­terns, and finds ana­lo­gies in the world of manga: (part one), part two. I thought this was cool, and read­ing it has deepened the way I see storytelling in manga and com­ics. You’ll note that it’s about visual tech­niqe, but the focus is on how those tech­niques are used to tell the story.

    Finally, it’s anim­a­tion. Anim­a­tion frees the cre­at­ors to use these tech­niques, or else why not make live-action?

    • Posted November 28, 2011 at 9:35 pm | Permalink

      Damn. Sorry about the botched HTML. The second link at least takes you to part two, which has a link to part one.

      ::Admin Edit:: Fixed your HTML for you

    • Scamp
      Posted November 29, 2011 at 2:41 pm | Permalink

      I’d agree with all that. Pretty stand­ard line by film buffs in that under­stand the pro­duc­tion behing the works leads to greater appre­ci­ation of the works them­selves when used cor­rectly. In that sense, I guess I can see why high­light­ing these anim­a­tion quirks in isol­a­tion is a good thing.

      That said, I don’t think that’s how cer­tain sak­uga nerds see it. But eh, as I said, noth­ing really wrong with that, even if it does rub me the wrong way

      • Posted November 29, 2011 at 5:08 pm | Permalink

        The “film buffs” per­spect­ive was one I’d con­sidered men­tion­ing, but dropped, as my reply was already long enough. I think it works that way in all the visual arts, and prob­ably works in the arts in gen­eral — know­ing and recog­niz­ing the tech­niques used deep­ens the appre­ci­ation of the work.

        As I said, I don’t know any of those sak­uga nerds, though I guess I appre­ci­ate their product from time to time (the sak­uga MADs that appear occasionally).

  6. Posted November 28, 2011 at 11:18 pm | Permalink

    So it sounds like your issue isn’t with Sak­uga videos, or the reason people like them, or even the people who like them, but a very spe­cific sub­set of its fans who decide to shit on other people’s tastes for not lik­ing what they like?

    • Scamp
      Posted November 29, 2011 at 2:44 pm | Permalink

      My issue is with the reason people like sak­uga videos, but it’s more minor annoy­ance than any­thing else. The kind of gen­eral minor annoy­ance that comes with people lik­ing stuff you don’t (as much as we try to say ‘pin­ions and tastes, there’s always that minor annoy­ance with people hav­ing oppos­ite tastes to your own). The final part is simply high­light­ing a case where that approach leads to dick­ish moves

      • Posted November 29, 2011 at 4:00 pm | Permalink

        If you truly believe that every­one finds annoy­ance in people hav­ing oppos­ing tastes, what a dark and cyn­ical world you must live in. I mean, I’m a very cyn­ical per­son, but even I believe and find that people are cap­able of not just tol­er­at­ing but accept­ing and encour­aging oppos­ing opinions.

        Also, if your annoy­ance with Sak­uga is the same as with any­thing you don’t like that oth­ers like, then all you’re say­ing is, basic­ally, “I don’t like Sak­uga,” isn’t it?

      • Scamp
        Posted November 29, 2011 at 7:43 pm | Permalink

        Are you truly dis­en­gaged enough that you don’t respond to other people’s opin­ions? I’m not sure about the legit­im­acy of this, but I heard that exper­i­ments proved that there is a phys­ical reac­tion sus­tained by someone when they read somone else mir­ror­ing their own opin­ions. . If that’s true, then obvi­ously the reverse would be true too. Of course I’m able to tol­er­ate and encour­age oppos­ing opin­ions, because I see the greater long-term effects these bring over the ori­ginal gut reac­tion. But I’d be lying if I pre­ten­ded that I didn’t have that gut neg­at­ive reac­tion towards them.

        And no, it’s not that I don’t like anim­a­tion. I don’t like anim­a­tion for the sake of animation

      • Posted November 30, 2011 at 3:42 am | Permalink

        Sure, there’s gut reac­tion. And I’ll abso­lutely believe that there’s a phys­ical com­pon­ent to it, not just men­tal. But that doesn’t last more than a few seconds. It’s pro­ceeded by thought­ful reac­tion, which is more reasoned. Just seemed like your post didn’t go any fur­ther than the gut reac­tion before neg­at­ing it with a reasoned reac­tion and going into an anec­dote about a very spe­cific and small sub­set of the people you were talk­ing about.

  7. Animu
    Posted November 29, 2011 at 12:36 am | Permalink

    You’re talk­ing about Naruto 166, Naruto fans hate the epis­ode because it actu­ally has a unique and inter­est­ing style. Sak­uga fans cel­eb­rate said style as it is actu­ally dif­fer­ent unlike the 100 odd epis­odes before­hand. If Naruto fans want the same thing over and over, that’s fine. But they, with no know­ledge or con­text for the world of anim­a­tion belittle the unique sens­ib­il­it­ies of won­der­ful anim­at­ors all the same as someone who would belittle the con­text of the anim­a­tion in Naruto. They call it laugh­able as if the anim­at­ors respons­ible weren’t cap­able of anim­at­ing some of the best epis­odes that they them­selves loved, it’s pure will­ful ignorance.

    It’s basic­ally the unin­formed try­ing to argue with the informed on a pure emo­tional level. I don’t expect that a com­mon anime fan would care about the anim­a­tion part, simply because the run­ning gag that anime has bad anim­a­tion has become so ingrained that it’s pathetic but you actu­ally can’t have a con­ver­sa­tion about some­thing in which one side knows fuck all about what’s actu­ally going on there. It just doesn’t work.

    • The Kenosha Kid
      Posted November 29, 2011 at 12:56 am | Permalink

      The prob­lem as I under­stand it is that the sak­uga fans are as unin­formed as the Naruto fans–they might have an eye for cre­at­ive anim­a­tion, but if they don’t know any­thing about Naruto, then they won’t be able to cor­rectly judge whether or not an epis­ode is a suc­cess as a Naruto episode.

      I’m not a Naruto fan per­son­ally (and not much of a sak­uga per­son either), but I sup­pose that there are aspects of the show that make it spe­cial to its fans, and if epis­ode 166’s cre­at­ive anim­a­tion comes at the expense of those aspects that make the show spe­cial, then no mat­ter how good the anim­a­tion is, it is a fail­ure as a Naruto episode.

      Not that I’d mind with that series, but then again I’m an elit­ist hip­ster bastard.

    • Scamp
      Posted November 29, 2011 at 2:50 pm | Permalink

      Aren’t you also arguing on an emo­tional level? You enjoyed the epis­ode because of the anim­a­tion. You can explain why you enjoyed it because of your know­ledge of anim­a­tion, but the fact remained that you still enjoyed it on an emo­tional level.

      Yes, the sub­sequent explan­a­tion of a Naruto fan’s cri­ti­cism is unin­formed, but the enjoy­ment of the epis­ode is based off two seper­ate approaches to enjoyment

  8. Anonymous
    Posted November 29, 2011 at 12:49 am | Permalink

    I’ll pitch in that I believe LVLLN has inter­preted what you’ve set out to say bet­ter than the words you’ve chosen to use con­vey­ing the idea.

    That aside, as a fan of West­ern anim­a­tion I must add that some­times the anim­a­tion is far greater a pull than the storytelling. Some of the most fam­ous car­toons recom­men­ded in the circles of anim­a­tion enthu­si­asts are pretty much agreed upon to be ter­rible. The Thief and the Cob­bler was crit­ic­ally panned. There are few people that would defend it as a film, but for a fan of amer­ican anim­a­tion it’s worth watch­ing just for the tech­niques. From Fant­astic Planet to Twice Upon a Time to Ralph Bakshi’s films, there’s prac­tic­ally an entire genre of anim­a­tion that would be ignor­able if not for the anim­a­tion itself.

    I would even extend this com­ment to films. Any­one that watches Eraser­head and claims it makes sense is an idiot or a liar. How­ever, it’s still a cult clas­sic because of the way the film was dir­ec­ted, shot and edited.

    To pull words from your mouth, I could cite any post in which you men­tion Makoto Shinkai. You don’t enjoy his movies, but even you have to admit that the art and anim­a­tion (cloud fet­ish aside) is fuck­ing phe­nom­enal. Some­times that’s enough to drive a per­son to watch it. Repeatedly.

    • Animu
      Posted November 29, 2011 at 1:41 am | Permalink

      But how do you determ­ine what would make that epis­ode suc­cess­ful? Naruto fans, hell anime fans in gen­eral call the anim­a­tion in said epis­ode a “bad joke” and are con­vinced that some­thing in the pro­cess of that epis­ode went wrong, most people say “I guess they ran out of money” or some other ignor­ant com­ment. What would have been bet­ter, if it fol­lowed the manga 1:1? If it were any actual lazily struc­tured Naruto epis­ode? I can live with them think­ing it fails as a Naruto epis­ode just fine, but it goes well bey­ond that. People are con­vinced that it is a fail­ure as a anime epis­ode in gen­eral, with no reas­on­able argu­ment in sight. It’s not like that epis­ode is loved by the Sak­uga com­munity by large in the first place, it’s pretty divis­ive there too where some think it is far too loose and takes way to many liber­ties with char­ac­ter art. But Naruto fans aren’t arguing this in a sens­ible, informed way, so I can’t be fucked to care if Scamp feels bad that we aren’t tak­ing their feel­ings into con­sid­er­a­tion or some-such nonsense.

    • Scamp
      Posted November 29, 2011 at 2:56 pm | Permalink

      @Anonymous

      That idea of enjoy­ing for the pretty pic­tures or dir­ect­ing is exactly what I’m high­light­ing in the first part of the post. I don’t like that because I don’t care. Pretty Makoto Shinkai pic­tures are rel­ev­ant because they could be used to enhance the story, but are quite not­ic­ably not doing that. Hence they are (in my eyes) worth­less. But again, that’s all dif­fer­ent approaches to how you enjoy your entertainment

      @Animu

      Basic­ally what I said to you already, but I’d like to add that shounen fans get used to expect­ing a cer­tain type of anim­a­tion in the show itself. If you ran­domly decided to anim­ated Naruto in One Piece style, people would call it out on not look­ing like Naruto. They call it a fail­ure of anim­a­tion because it looked so rad­ic­ally out of place to what they were expecting

      • Posted November 29, 2011 at 8:52 pm | Permalink

        If they’d been watch­ing Naruto up to epis­ode 167 of Ship­puden, then they should be expect­ing it. At this point it’s not a sur­prise that big fights get showy anim­a­tion on the show. In the same way it’s not a sur­prise that you’re going to get a Naoki Tate epis­ode roughly once a month on One Piece. You either like or you don’t, next epis­ode it will most likely be someone else, with their own styl­istic foibles, regardless.

        Indeed there’s an argu­ment to be made that the looser designs in some Naruto epis­odes have influ­enced Kishimoto in turn as he’s sim­pli­fied designs over the years, becom­ing more angu­lar and abstract.

        If you look at the Crunchyroll com­ments you’ll get a much bet­ter idea of the wide vari­ety of dif­fer­ing opin­ions in the Naruto fan­base, than this impres­sion you and other com­ments here give of it being Naruto fans on one side and sak­uga snobs the other.

        http://www.crunchyroll.com/naruto-shippuden/episode-167-planetary-devastation-542498/comments?pg=1

  9. Thrashy
    Posted November 29, 2011 at 1:22 am | Permalink

    I’m going to just leave this here.

    http://xkcd.com/915/

  10. Animu
    Posted November 29, 2011 at 1:30 am | Permalink

    On the sub­ject, you know I really don’t know many Sak­uga­fans that couldn’t more aptly be called “Staff fans” or people that gen­er­ally fol­low staff from the pro­duc­tion pro­cess in gen­eral. From dir­ec­tion, story­board, to lay­out, to key anim­a­tion and so forth. Simply because lots of fam­ous dir­ect­ors were also key anim­at­ors and vice versa. But also because of anipages and anipages forum in which many, many of the anim­a­tion pro­cesses’ are detailed and a fan of key anim­a­tion can quickly become a fan of a huge swath of cred­ited roles in the pro­duc­tion pro­cess even without hav­ing to have already been a fan of any par­tic­u­lar person.

    I think it’s a mis­nomer that any par­tic­u­lar Sak­uga­fan would only be a Sak­uga­fan, when you have lots of sak­uga­fans fol­low­ing Idol­mas­ter for example which has not­able staff dir­ect­ing, story­board­ing and such bey­ond just key anim­a­tion. But there are count­less examples of sak­uga­fans look­ing for­ward to epis­odes dir­ec­ted or story­boarded by par­tic­u­lar people, people who fol­low artists because they love their char­ac­ter anim­a­tion designs, or people who fol­low mech anim­a­tion design­ers. Hell look at Raito-kun’s blog http://aninomiyako.wordpress.com/2011/11/13/ikuhara-school-directors-utenas-legacy/, his latest entry is all about not­able staff break­down in Utena, loads more var­ied than just key animators.

    • Scamp
      Posted November 29, 2011 at 3:03 pm | Permalink

      But you’re look­ing for­ward to these epis­odes of Idolm@ster because you want to see this story­boarder in action, not because you care about how his story­board­ing effects the ongo­ing story or themes in Idolm@ster itself. Do you see what I’m get­ting at?

  11. Posted November 29, 2011 at 2:47 pm | Permalink

    While I am a bit famil­iar with the who’s who in anime, I find the label “sak­uga­fan” as being unne­ces­sar­ily elit­ist and self-important. It prob­ably sounds kind of hypo­crit­ical for me to say that, but know­ing a bunch of per­sons who work in your car­toon shows isn’t a good reason to act super­ior to the rest.

    I mean, really, the appre­ci­ation of anime (at least for me) isn’t solely based on how fluid the anim­a­tion is or whatever, but rather on how all the ele­ments present in a cer­tain production–such as the dir­ect­ing, the story, all that stuff–effectively com­bine into a very enter­tain­ing and enga­ging whole. In the end, anime is a team game, after all (except in some cases where a super-animator takes on the chal­lenge of pro­du­cing some­thing him­self, but that’s another can of worms entirely).

    Though that is not to say fol­low­ing a spe­cific anim­ator isn’t cool, because, actu­ally, it is. It is very enjoy­able and reward­ing to see an anim­ator you like do his work, evolve within his craft, and even­tu­ally max­im­ize his fullest poten­tial (say, like Miyazaki and the people you men­tioned in your post). Not to men­tion that learn­ing the spe­cif­ics about the anim­a­tion pro­duc­tion pro­cess in Japan is quite educational.

    I just don’t think it’s right to act all snooty about it, just because you do know.

    I under­stand that this com­ment may not have any­thing to do with the point of your post, but I just wanted to get my two cents’ worth about the “sak­uga” phe­nomenon. Mostly thoughts com­ing from a fan, for what it’s worth.

    • Scamp
      Posted November 29, 2011 at 3:06 pm | Permalink

      Think your com­ments need to be dir­ec­ted towards some of the other people com­ment­ing on this post

  12. cell
    Posted December 1, 2011 at 2:31 pm | Permalink

    It’s not really people that expli­citely go out of their way to defend them but a divided Naruto fan­base that usu­ally clashes on such epis­odes. Today we remem­ber the Sas­uke vs. Naruto fight as one of the greatest in the his­tory of the series but when it was aired for the first time the Naruto for­ums were full of people com­plain­ing about the poor anim­a­tion and what­not and the same thing repeats itself every time the pro­du­cers decide to hire known styl­ist­ical anim­at­ors for an import­ant epis­ode. In the end there is a reason the dir­ector decides for cer­tain anim­at­ors for cer­tain things. In a show that has ninjas run­nning along ver­tical walls or water and fight­ing each other using super­nat­ural powers things need to be flashy and dif­fer­ent when the char­ac­ters dis­play the best of their tech­niques. In the end after a while goes by such epis­odes will be remembered by most view­ers as out­stand­ing and inter­est­ing and the clash repeats itself with the next such episode.

    And Brack is abso­lutely right, many people who are today “sak­uga nerds” as you put it, became inter­ested more in anim­a­tion because of such unusual Naruto epis­odes. It cer­tainly applies to me, without some of the earlier Naruto epis­odes and people throw­ing around names of anim­at­ors I would have never become inter­ested in the people behind the pic­ture. And you see today many people in the Naruto for­ums talk­ing about sak­uga and anim­at­ors in gen­eral, some­thing that isn’t all too com­mon in other anime forums.

    Per­son­ally I only watch an epis­ode every few weeks nowadays and don’t fol­low the series that reg­u­larly any­more but every time when people start com­plain­ing and clash­ing about an epis­ode and “weird” style/poor anim­a­tion and known anim­ator names are men­tioned, my interest in the series picks up again and I mara­thon the series until that epis­ode again. And I know many other people who do the same.

    So yeah, not sure where your post is com­ing from. It seems to me you are try­ing to build up an anime fan type that doesn’t actu­ally exist, or at least is such a minor­ity that it’s not even worth men­tion­ing it with a one-liner. And dis­lik­ing such videos that some­body just made for other people to enjoy because of said anime fan arche­type you seem to per­ceive is pretty far-fetched to be hon­est. The head­line would make more sense if it were some­thing like: “Why sak­uga nerds rub me wrong.” as that would be much closer to the actual con­tent of the post.

  13. Posted December 2, 2011 at 12:57 am | Permalink

    I used to watch Naruto when I was 13 and back then I thought the Norio Mat­sumoto fights were great. As someone who grew up on Looney Tunes and Ani­m­a­ni­acs I always grav­it­ated towards the ‘ugly off model’ stuff. I truly believe that people who watched that sort of stuff grow­ing up are nat­ur­ally going to be much more open to odd stand-out epis­odes, espe­cially if they’re clearly very fluid, show a very good grasp of the laws of phys­ics and gen­er­ally have more obvi­ously good move­ment than the aver­age epis­ode. I also think the “I will ana­lyze every single frame of this Norio Mat­sumoto fight and prove that it’s badly anim­ated” trend is simply a res­ult of every anime fan on the Inter­net want­ing to be a cyn­ical, fanbase-weary critic (people love the “you don’t have to be a cook to know this food tastes like shit” man­tra). Every­one is des­per­ate to show that they have ‘standards’.

    Pretty much the first thing I tell Naruto fans when they com­plain about the weirder epis­odes is that it’s com­pletely fine to dis­agree with the staff’s decision to use that style, but that it’s simply inac­cur­ate to claim that those epis­odes took less effort, skill and money to anim­ate. Occa­sion­ally people who didn’t feel very strongly about the epis­ode and just thought it was ‘kind of bad’ will be able to listen to you and change their minds, but those people are few and far between — gen­er­ally you’ll just get assaul­ted with a bar­rage of 4chan memes at best, and a bunch of “let me tell you what anim­a­tion is REALLY like” ram­blings at worst.

    And that in the end is the reason why anim­a­tion nerds get upset at stuff like this — I’m com­pletely sure most of the people you think are hor­rible elit­ists would be totally fine with the cri­ti­cism if it simply boiled down to “I think the use of this style was a very out of place decision” or “I felt the way this char­ac­ter was drawn here was out-of-character” as opposed to “lol it must have been bring your downs syn­drome kids to work day at stu­dio pier­rot lol looney tunes MEEP MEEP xD”.

    PS. I like those anim­ator show­case MADs because I can watch pretty stand-out scenes in shows I don’t like. Of course watch­ing an amaz­ingly anim­ated scene in a show you love is super­ior, of course hav­ing the con­text of a scene will enhance the exper­i­ence — nobody will ser­i­ously deny that.

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  1. By Secret Santa Project – Noein Review « The null set on December 25, 2011 at 10:04 am

    […] close with a video detail­ing the work by one of the key anim­at­ors that worked on Noein. Yes, I read what Scamp wrote over at The Cart Driver but I wanted in include some­thing that dis­plays what I mean by Noein having […]

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