8 CommentsKyosogiga / By Inushinde /

Kyosogiga Episodes 10 & 10.5: At Least Koto Still Smashes Stuff


Yes, I waited for the recap so I’d have an excuse to be late on the final post. Again, fuck Christmas.

Ordinarily, I don’t bother to watch recap episodes for what I hope are understandable reasons—namely I don’t like watching what I’ve already seen before, super condensed and without another perspective to liven things up. But when a show puts out a recap after it finishes airing, and with commentary from two of the main cast members, I admit it piques my interest. It means that somebody important looked at the finished product and thought “Maybe we need to explain the ‘Daddy Myoue being God’ thing a bit better, along with everything else. Also it has to be Rie Kugimiya doing the explaining so that handsome devil Inushinde will get some enjoyment out of it.”

I’m kind of glad I waited a week to write on the Kyosogiga finale, because I still don’t have a handle on the finished product, and how it stacks up with everything that came before. Watching the recap helped somewhat to put everything in perspective, though Rie Kugimiya could have probably offered more insights than “this is a funny moment” without sounding heavily-sedated.


Despite generally being alright, I didn’t really warm up to the final episode. It was a little too much explanation regarding the show’s world, without finishing fleshing out the characters to any meaningful degree. It’s better than being given no explanation at all, like in the OVAs/ONAs, I guess, but if I have to be spoon-fed details, I’d rather they be related to the characters that I like, and not the wider universe that hasn’t really had a position of importance until an arbitrary point toward the end.

Similarly, the sudden import of the three crudely drawn animals is rather jarring. Part of this has to do with the fact that Daddy Myoue’s past wasn’t explained or alluded to once, so suddenly throwing something in toward the end comes across as sloppy. A little (non-exposition heavy) acknowledgement, either of Daddy Myoue’s past or of the presence of the animals, would have gone a long way toward making this scene go down easier.

The series tries to embellish its main plot with extraneous, needlessly convoluted details that weigh down the series’ final moments. It didn’t do a great job at making every element an important component of the show, and tying it back to the larger family. Kyosogiga could have easily gone without giving the cosmos-spanning bureaucracy such a prominent role in the narrative. So much of the family is neglected in order to develop a world that doesn’t really need to be built up any more. While each element is fairly well thought out, the series is less capable of subtly weaving them into the overarching narrative.


If there’s one thing that the finale does well though, it’s providing closure for Myoue’s antipathy toward being given a second life. Watching the recap immediately after the finale gave me an appreciation for how far Myoue came along, and how his character is the pivot around which the show moves. Whether it’s explicit or not, the series does a phenomenal job at fleshing out his constant struggle with himself, without having it steal focus from anybody else. In this one important regard, Kyosogiga is perfect.

For once, actually watching a recap episode helped me piece together my thoughts on the show a bit better. I do think that Kyosogiga put too much energy into deliberately obscuring important details.

Despite having serious focus problems toward the end, Kyosogiga is still a remarkably strong show. It has some faults that are hardly negligible, but it pulses with enough energy and genuinely heartwarming moments that its most glaring flaws are easy to overlook. It’s a story that could have shifted its priorities a bit more so that the finale didn’t end up a cluttered mess, but it kept its core of Myoue love strong enough to persevere. And, of course, both Kotos were simply precious.

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  1. asdfasdf
    Posted December 30, 2013 at 8:30 pm | Permalink

    You mean the three animal creatures that have been present from episode 1?

    • Mr.RR
      Posted December 31, 2013 at 12:04 am | Permalink

      Yes you saw them in random places throughout the show.

    • Inushinde
      Posted December 31, 2013 at 2:15 am | Permalink

      The very same, yeah. The ones that were essentially unacknowledged background characters.

      • Posted December 31, 2013 at 2:54 am | Permalink

        W-e-l-l, in episode 5.5, we see the three animals are the main characters in the Choujuugiga, “the oldest work of manga”, the display of which the actors lingered over in the real-life temple room that is the setting for most of the domestic scenes in the show, and is probably the source of the series’ name. So there have been whispers all along that those three might be important.

        I would have expected grandad to take on the persona of the big white rabbit we saw in bits of the OVA and in the OP, but monkey-frog-rabbit are okay, too.

        I loved this show a ton, but it will take at least another viewing before I can say whether it hangs together or is just a bundle of craziness with a hint of story.

      • Kiseki
        Posted December 31, 2013 at 1:07 pm | Permalink

        It was made clear in the 2012 ONAs that Yakushimaru drew the three from Choujuugiga, but idk if they just obscured the fact in the TV series or decided to retcon it.

  2. strukingfourd
    Posted December 31, 2013 at 3:16 am | Permalink

    How does this show compare to The Tatami Galaxy? I will eventually watch it but it jumps right at the top of my priority list if the experience is a bit alike.

    • Inushinde
      Posted December 31, 2013 at 3:28 am | Permalink

      Tatami Galaxy also dwells on the metaphysical, but it does so far better. Other than that, the two are wholly incomparable, and one shouldn’t go into Kyosogiga expecting them to be even the slightest bit alike.

  3. Mormegil
    Posted December 31, 2013 at 5:51 am | Permalink

    Pretty much in agreement. There was just…something missing in the 2nd half when instead of focusing on each individual character, it decided to shift back(understandably, though) to the story. In a sense it reminded me of Kaiba, and how it went from the protagonist exploring a different world in each episode, to focusing on the story in the 2nd half. Some of the magic was gone.

    Despite that, Kyousougiga was a wonderful show, and like you said, it gave us a nice bit of closure. Thanks for blogging the series, Inushinde.

    Also, there needed to be more Yase in the final episodes. :(

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