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Defining a ‘good’ anime

What makes a good anime? No, I’m not talk­ing about the details of the anime itself. Leave aside what is actu­ally inside the pack­age, I’m talk­ing about recep­tion. This also has noth­ing to do with pop­ular­ity or sales, although they are closely linked. What I’m refer­ring to is how do you know how ‘good’ an anime is. Sorry I can’t come up with more excit­ing vocab­u­lary to con­vey my point. How would you define if one anime is bet­ter than another through sheer objectivity?

Many would say there is no object­ive way to define if one anime is bet­ter than another because all opin­ions on whether a show is good or not is entirely your own opin­ion. This is com­pletely and utterly true. How good some­thing is is based entirely off your own sub­ject­ive opin­ion. What you might have thought of as good someone else might have thought was crap and neither of you are wrong, at least not sub­ject­ively. How­ever the more people’s sub­ject­ive opin­ions you col­lect, the closer to the object­ive qual­ity of the show you have.

The qual­ity of a show is defined purely on whether the people watch­ing it thought it was any good and how good they thought it was. While you can define things that hap­pen inside the show through purely object­ive eyes, these do not define whether the show itself was well-received. You can use them to explain why it was well received but noth­ing more. Using this wordy logic, if the vast major­ity of people thought a show was good, then it object­ively is a good show.

tc;du (too con­fus­ing, didn’t under­stand) If an anime is rated highly on sites like MAL (or movies on imdb or whatever) then it is a good anime. Good is defined by whether people thought it was any good. Sub­ject­ive opin­ions become object­ive fact through sheer numbers.

Counter-Argument or I am my own worst critic

But people are thick and hon­estly thought that Code Geass R2 was good

Then they are right. Oh sure, you could point out parts of the product itself to show why it shouldn’t be rated so highly, but if the major­ity of view­ers thought it was good, then it was good. You didn’t think it was good? Great, that’s your own sub­ject­ive opin­ion and you’re not wrong. But you’ve been drowned out by thou­sands of oth­ers who thought otherwise.

But the rat­ings on MAL are flawed. Someone who likes RahXephon might rate it an 8 while someone else who likes Afro Samurai just as much as the per­son who likes RahXephon might rate Afro Samurai a 10. Also, rat­ings are defined by who’s rat­ing them. If only BL fans rate BL anime, then Jun­jou Romantica ends up far higher than it should. Also sequels get rated higher etc. etc.

Ah tech­nic­al­it­ies~. The­ory rarely works prop­erly in real life because life is such a com­plic­ated mess. The main point of this post still stands, you just need to take the rat­ings with a pinch of salt. Com­par­ing like with like works quite well for cer­tain genres. If Bleach is rated higher than Naruto and they attract the same type of fans to rate them, then Bleach is bet­ter than Naruto. If Evan­gelion is rated higher than RahXephon, then Evan­gelion is bet­ter. If Kaiba is rated bet­ter than Kemenozume…you get my drift.

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25 Comments

  1. Posted January 12, 2010 at 2:49 pm | Permalink

    @Scamp: Hmm… Inter­est­ing art­icle, Scamp. I do agree that there are sub­ject­ive argu­ments to judge whether an anime is bad or good. Nor­mally, I feel that the judg­ment lies within the viewer himself.

    For some, cer­tain series are good while for oth­ers they may say that it is bad. If let’s say that 80% says that the series is bad, that doesn’t mean that it would be bad for the remain­ing 20%. Those 20% may see some­thing that attract them in the series to say that it is good (or I shall put fan­boy­ism into the pic­ture as well).

    True, that a higher skew of the scale would tip new view­ers to either avoid or watch the series in ques­tion. But what if the judg­ment is wrong, and that a badly rated series to most people ended up being a par­tic­u­lar mas­ter­piece to the viewer’s taste? Tough question.

    Let’s take last year for example. Most people rated “White Album” badly (I’m not using the MAL rat­ing for this example; just some word of mouth and reviews on anib­log­gers). How­ever, I love the series a lot. True that it can be slow, but that’s how I like to see.

    So, it truly depends on the viewer in ques­tion. I wouldn’t let rat­ings affect my view­ing pleas­ure; I’ll just use it as points of dis­cus­sion to find out dif­fer­ences and iron them all up.

  2. kadian1364
    Posted January 12, 2010 at 5:37 pm | Permalink

    I can’t say I agree with your con­clu­sion there. If the meas­ure of good­ness is just an aggreg­ate of opin­ions, then it just depends on who you ask. For example, MAL is a site cater­ing to obsess­ive anime fans, the kind that are trendy with the inter­net and fol­low new anime as they air in Japan. The kinds of people that take the time to make an account on MAL and search for say, R2, and rate the thing, col­lect­ive hold an opin­ion that’s wildly dif­fer­ent than ran­domly polling people off the streets, the norm. MAL pop­ular­ity is a sort of ‘false’ pop­ular­ity since its such a nar­row pop­u­la­tion sample.

    A great anime should be meas­ured in part by its abil­ity to appeal to many people out­side of its spe­cific tar­get audi­ence, e.g. Ghibli films.

    In the end, I think pop­ular­ity is an indic­ator of some­thing, might be qual­ity, nov­elty, pre-installed fan­base, or com­mer­cial advant­ages, and it should be part of the equa­tion for over­all Good­ness, but it’s only a frac­tion of the whole picture.

  3. Scamp
    Posted January 12, 2010 at 5:38 pm | Permalink

    @jusuchin85

    Oh of course you shouldn’t let the rat­ing affect your own enjoy­ment. It’s purely from a ref­er­en­cing aspect. I can use Haruhi or Mon­ster as an example of a good anime even though I’m not much of a fan of these myself. On the flip­side, I love Love Hina but I wouldn’t use it as an example of a qual­ity anime, at least not without refer­ring to the fact that it’s only qual­ity in my totally biased eyes and every­one else sucks for not lik­ing it

    @kadian

    My post works if you could get every­one to watch everything and then rate them with the same mean score. Ah theory~

    One thing you have to remem­ber is that we are part of the nar­row pop­u­la­tion sample you are refer­ring to. We are anime fans, as are those who are doing the rat­ing, so for us the rat­ings are pretty darn accur­ate. Even out­side of typ­ical anime fan­dom, those anime that usu­ally act as the gate­way to fan­dom are the highly rated ones. The MAL scores work quite well for the most part.

    Pop­ular­ity though…I can’t explain. Again, if you got the Naru­tards to also watch the moe shows, you might start to see a closer rep­res­ent­a­tion of Good­ness, but that’s all an ideal world that will never exist and leaves me des­pair­ing as my the­or­ies fall apart because soft­core fans won’t ven­ture out­side their com­fort zone. I still think the MAL score is the best method to dis­cov­er­ing true Good­ness of an anime and even when you start factor­ing in all these other sug­ges­tions for what makes an anime good, the list won’t undergo any ser­i­ous changes. It’s like for the ‘pre­dic­tions for the best anime of the 00’s’, we took dif­fer­ent routes to choos­ing what would be the fron­trun­ners and yet we ended up with the exact same bunch.

  4. Posted January 12, 2010 at 6:39 pm | Permalink

    I think the best meas­ure as to whether some­thing is “good” should be meas­ured by the recep­tion it gets years after it’s released from both new view­ers and re-watchers. In other words, I’d peg time­less­ness as a major com­pon­ent. If an anime series can appeal to someone 10 or even 30 years after it’s released, I think you def­in­itely have a qual­ity show. In the same vein, if an anime that appealed to my 18-year old self appeals to me when I’m in my mid-40s, then you def­in­itely know it’s a qual­ity show.

    Example: I watched the Super Mario Bros Super Show as a kid and loved it. Watched it again when the epis­odes were streamed 18 years later and it was so silly as to be unbear­able. I watched Shawshank Redemp­tion when I was about 15 and loved it. Fast for­ward to now and I find myself enjoy­ing it even more than I did then. Excel­lent film.

  5. Scamp
    Posted January 12, 2010 at 7:17 pm | Permalink

    @zzeroparticle

    Don’t entirely agree with that. Look­ing out­side anime for a second, take the Avatar movie. In 30–40 years time, the CGI for other movies will be at that level and there will be movies with far bet­ter storylines. By your meas­ure, Avatar would end up being rated a pretty aver­age movie. But that doesn’t take into account the effect and shock of the qual­ity of CGI it had at the time. Think old­f­ags who com­plain that when a young­ster doesn’t like an old anime says’ it was revolu­tion­ary at the time’. Time­lessnes is a factor but it’s fool­ish to leave aside the ori­ginal impact it had.

  6. luffyluffy
    Posted January 12, 2010 at 8:49 pm | Permalink

    I tend to do this when I look at things, though my view is much lar­ger. What defines a good anime?

    Does this anime make someone smile? Then yes, yes it is~ All anime are good in my book, just some dont hit their tar­get audi­ences, and there­fore arent viewed by the same light all around.

  7. Posted January 12, 2010 at 11:03 pm | Permalink

    Well idk about necesar­ily mak­ing you smile, but some­thing being defined as a “good exper­i­ence” in the end is import­ant. Like Elfen Lied, there wasn’t a lot of “smile” moments, but was a GREAT anime.

    p.s. Oh btw, Scamp, you never let me know about the blogroll exchange thing :(

  8. Posted January 13, 2010 at 12:40 am | Permalink

    I agree with Kadian that pop­ular­ity is just one part of the equa­tion. It’s a mis­take, I think, to say, “This [whatever] is pop­u­lar and highly ranked; there­fore, it is great” because pop­ular­ity (or lack thereof) is the end res­ult of a show’s efforts toward “good­ness” (along with a host of other cir­cum­stances and other things that come into play), and not so much a reason in and of itself to call a show good.

    For example, The Boon­dock Saints is a highly-ranked movie on IMDb (a 7.9 the last time I checked, which denotes a very good to great movie, I think), but frankly, it’s garbage and fails at everything it does except for maybe one or two action sequences. Everything else is just a bad ripoff of other, bet­ter movies or just silly tripe thrown in to make the movie appear to have depth. I would never in a mil­lion years call The Boon­dock Saints a good movie des­pite its high rat­ing. Dragon Ball Z has a near 7.7 rat­ing on MAL, which while not great, is cer­tainly a solid score … but I wouldn’t call DBZ good either (and I actu­ally enjoy watch­ing it). There are reas­ons for their pop­ular­ity, but they’re not good because of their pop­ular­ity. I don’t mean to sound like an elit­ist asshole (I think you know by now that I’m not one, haha), but mass opin­ion can be wrong, or to be more fair, can be exag­ger­ated for vari­ous reasons.

    The main prob­lem I see is that you define a con­di­tion of “good­ness” (i.e. pop­ular­ity and high rat­ings), but not really what con­sti­tutes being good. Just like there is not one abso­lute stand­ard for how to tell a story, how to write a song, how to dir­ect a movie, etc., there is not one stand­ard to determ­ine what is “good”. Rat­ings and mass opin­ion cer­tainly tells you what is well-loved (and a good por­tion of these series may actu­ally be good), but they do not by them­selves provide a solid basis for someone to say, “This is defin­it­ively good, and this is not”.

    Also, regard­ing the time­less­ness point zzero­particle brings up, I think there is a dif­fer­ence between being good for an era and pos­sibly his­tor­ic­ally influ­en­tial, and being time­lessly good. I haven’t seen Avatar, so I don’t want to com­ment on that, but I think Final Fantasy VII works as a good example: If you look at it by today’s stand­ards, FFVII is a dino­saur — the graph­ics are ass ugly, the battle sys­tem is bus­ted and easy to take advant­age of, the dia­logue is hor­ribly trans­lated (an American-based com­plaint; I heard other trans­la­tions might have been a bit less dodgy, and I doubt the ori­ginal Japan­ese has too many prob­lems :p), and the storytelling is pretty clunky and con­fus­ing at times. But it was a huge game at the time it came out, and is def­in­itely his­tor­ic­ally import­ant as the first J-RPG to make a big impact in Amer­ica. That does take it only so far, how­ever. FFVII is a good game, but its flaws abso­lutely need to be taken into account when con­sid­er­ing its “goodness”.

    Com­pare that to some­thing like Rose of Ver­sailles, which even though it has its flaws (com­pletely dated anim­a­tion, insane melo­drama (that I like, haha), a bit repet­it­ive, and so on), it also tran­scends those flaws and becomes time­less by vir­tue of its visual style (which was enorm­ously influ­en­tial), its strong storytelling and com­plex, mem­or­able char­ac­ters. Rose of Ver­sailles is both good in a vacuum and also a series that tran­scends the lim­it­a­tions of its time period.

    That’s the kind of thing that tells me there are dif­fer­ent levels of “good­ness” and so many things that tell the story — all of which con­trib­ute to its stand­ing in pub­lic opin­ion and ratings.

    (Just so I don’t come off as a com­plete hater, I want to say I enjoyed read­ing this post and think­ing about everything involved with it. Look­ing for­ward to your reply!)

  9. Posted January 13, 2010 at 4:23 am | Permalink

    Yeah, I’m not big on this idea that the “object­ive” good is in the num­bers, since, if you take this to its logical con­clu­sions, it’s not amen­able to dis­agree with the mass aver­age opin­ion, because you’re dis­agree­ing with the “object­ive” opin­ion, which is impli­citly treated as the truth of the mat­ter. Sim­il­arly, I’m not a fan of the idea that opin­ion is entirely sub­ject­ive, since the idea that the only opin­ion that truly mat­ters is your own means that there’s no point in discussing/debating it. And as tempt­ing as it is to deny some­times, dis­cus­sion is good for every­one (good dis­cus­sion gives us a chance to bet­ter under­stand the mater­ial and refine our opin­ions and give/get feed­back, etc, etc).

    Is there mean­ing when an anime has a high favourited-to-watched ratio? Yes, I won’t dis­agree with that, and one of the con­clu­sions you could draw is that there’s a good chance that the anime is good and you’ll like it. But “chance” is the key word here. MAL rat­ings shouldn’t be con­sidered the object­ive mark any­more than the AnimeSuki Choice Awards are, or Rot­ten Tomato rat­ings are for movies. Is there such as thing as an object­ive opin­ion? Maybe. I don’t see any reason to dis­count that there is. But the mark­ers for find­ing it need to be just as com­plex and thought out as the work being judged (in fact, prob­ably moreso… which is why aca­demia prob­ably has a much bet­ter chance of object­ively cri­ti­ciz­ing lit­er­at­ure in the true sense than any­thing else). I think the “global aver­age” rat­ing might work reas­on­ably as a first approx­im­a­tion, but that’s prob­ably about as good as it’ll ever do.

  10. Posted January 13, 2010 at 7:58 am | Permalink

    This topic has been and will prob­ably be, dir­ectly or indir­ectly, dis­cussed forever because anime is work of art and there’s no way to object­ively meas­ure its qual­ity. It’s all sub­ject­ive.
    BTW, maybe it doesn’t mat­ter whether an anime is good or not as along as it affects the view­ers. I often find myself fall in love with anime that I think is bad.

  11. Posted January 13, 2010 at 9:30 am | Permalink

    Inspired by that [typo’d] com­ment on my blog you made, eh? (:

    It’s hard to define what “good” really means. I can’t say that data­bases as big as MAL are “wrong” in defin­ing good anime, but I can say they’re not com­pletely “right.”

    You can see charts float­ing around on 2ch and 4chan titled “Great Anime” or “Recom­men­ded Anime,” and there are things like the “Crit­ics and Con­nois­seurs” club on MAL. These all try to float above the sup­posed “hype” of shows like Death Note and Code Geass (not pick­ing Bleach and Naruto, since the oppos­i­tion to those is ridicu­lously strong) with more “refined” tastes, but are they really right? IMO, Death Note and Code Geass don’t deserve to be ranked so highly, but they do deserve to be ranked very high.

    But then again, that’s in my opinion.

    P.S.: Some anime are almost uni­ver­sally regarded as “good” or “bad,” though. Truly “bad” shows are regarded as “bad” by just about every­body — it’s hard to argue that Mars of Destruc­tion is good, because it simply isn’t. Yet the other side is a hell of a lot harder to prove. Not many anime have received noth­ing but com­pli­ments. After Story, top dog on MAL, has had a lot of cri­ti­cism, espe­cially for its ending.

    Are there truly “good” anime out there? The only con­tender for this spot would be Mushishi, the one show that was on just about every “top ___ anime of the dec­ade” list and con­sist­ently in the top ten of every data­base, but does that ful­fill the requirements?

    Bah, what do I know, any­way? I think GTO is a ter­rible show. Brb refin­ing tastes :|

  12. Scamp
    Posted January 13, 2010 at 5:02 pm | Permalink

    @luffyluffy

    Noooo, don’t fall down the trap of say­ing ‘all anime is good’ because that then implies that all anime is exempt from cri­ti­cism, which is most cer­tainly NOT true.

    @fas

    I did actu­ally respond so I’ll copy­paste what I said last time:
    I’m going to have to respect­fully decline your offer to a link exchange. I have a policy not to include links to H-sites. My little sis­ter reads this blog ya know, sorry

    @Shinmaru

    tl;dr

    just kid­ding.

    MAL and imdb are hope­lesly flawed ver­sions of this equa­tion because you’re not get­ting a proper pic­ture of what every­one thinks. It’s the best ver­sion cur­rently avail­able but there will always be irregularities.

    Where I dif­fer is that I think mass-opinion is the defin­ing factor to whether a show is ‘good’ or not. Wild the­ory now, but if every­one watches some­thing and think it’s the best thing ever, it IS the best thing ever. Mass opin­ion of a show can’t be wrong if they all thought it was good. Now if there was one per­son in that audi­ence who didn’t like the show, he is cor­rect in say­ing ‘I didn’t think it was good’ but if he was to say ‘It’s not a good show’, he is wrong.

    zzero­particles ver­sion does mess things up a bit. When you con­sider that people’s opin­ion of a show changes over time, does that mean a show can go from being good to not being good? Which means good is not some­thing definite…urgh, I’m get­ting all phil­iso­ph­ical here and it’s hurt­ing my head. Damn you and your long comments!

    @Sorrow-kun

    Opin­ion is the defin­i­tion of sub­ject­ive. You can­not be wrong in say­ing you liked some­thing. No amount of evid­ence to show the show is ter­rible will change the fact that the per­son enjoyed it.

    How­ever you do have me with the ‘dis­agree­ing with object­ive qual­ity of the show means you are wrong’. Yeah, that’s some faulty logic I’ve implied there and I haven’t got a counter-argument to that.

    Actu­ally there’s a bizzilion holes in the the­ory of global aver­age defin­ing qual­ity. A uni­ver­sal­liy aver­age show that every­one thinks is aver­age will score bet­ter than a show that 40% of people think is amaz­ing while 60% think it ter­rible, when clearly the split-opinion show has more value.

    There’s more flaws but I’m not going to men­tion any­more because my read­ers are doing a pretty find job of it already.

    @Canne

    Oh yes, this is one of those sub­jects that will be done to death across the board in every arts area.

    Next on the Cart Driver: the fan­sub debate and dub vs sub!

    @fangzhao

    I was actu­ally part of the crit­ics and connousiers club but dam­nit, those guys are idi­ots. Rise above the hype is dumb because often some­thing gets hype because its a bloody good show.

    The thing is prac­tic­ally everything has someone who likes it, even Akikan has glow­ing reviews on MAL. Also everything has someone who doesn’t like it, includ­ing Mushishi. Bah, my the­ory in defin­ing good anime has been torn apart by the com­menters up there but MAL is still the best way cur­rently avail­able at find­ing whats gen­er­ally con­sidered bet­ter than everything else.

    Also, I thought GTO was pretty aver­age myself.

  13. fmaestri90
    Posted January 13, 2010 at 9:24 pm | Permalink

    I think the best way to determ­ine if a show is good or not is to cat­egor­ize every anime, and then make an aver­age of the opin­ions of the fans of that par­tic­u­lar genre.
    That way, you’ve got to accept that Clan­nad AS is a mas­ter­piece, just because the MOE fans love it. Even if you don’t like it, you can’t say it isn’t good, you can just say you dont like that kind of things.
    Of course this would apply for almost every genre: Romance, Sci-Fi, Mecha, psico­lo­gical, etc.
    Of course you can exclude from this rat­ings genres such as ecchi and shows like Naruto and Bleach, just because it would be more than ridicu­lous to say that Naruto is a mas­ter­piece. You can like bleach, as I do ( Rank it 7/10), but you can’t say it is a mas­ter­piece, that is just absurd.
    For rat­ing shows, every­one should con­sider aspects as the story, the anim­a­tion and art, and the char­ac­ters above other things as music and the seiy­uus. Although, if an anime has an out­stand­ing anim­a­tion, such as ( in my opin­ion) 5 Cen­ti­meters per second, but has a “just good” story and char­ac­ters, then it could still be called a Mas­ter­piece, just because what is has of good is really good.

  14. Posted January 14, 2010 at 1:56 am | Permalink

    @Scamp
    But what about my other point? If opin­ion is entirely sub­ject­ive, what good is there in debat­ing it? Is dis­cus­sion of opin­ion just mean­ing­less men­tal mas­turb­a­tion in a group envir­on­ment? I mean, I don’t doubt that’s part of it, but I think there’s more to it than that.

    Opin­ion might be sub­ject­ive, but it’s formed out of inter­pret­a­tions of obser­va­tions, and part of that pro­cess is object­ive. Think­ing about it from this point of view, a clear divide between “object­ive” and “sub­ject­ive” is prob­ably an overly simplistic way to think about it. If you look at sci­ence, which val­ues and strives for objectiv­ity, the main point is to draw con­clu­sions by ana­lyz­ing and inter­pret­ing the data. But it’s still pos­sible for two people to draw dif­fer­ent con­clu­sions from the same set of data. That’s the whole point of sci­entific con­tro­versy, and from the debates that fol­low, these con­clu­sions turn into test­able hypo­theses for future exper­i­ments, with the aim of try­ing to find out which con­clu­sion is closest to the true nature.

    The point I’m try­ing to make is that, while judging anime is largely sub­ject­ive, and sci­ence is largely object­ive, neither is com­pletely one or the other, simply because of pro­cess and human nature. I think we need to start think­ing of subjectivity/objectivity as a scale rather than a dicho­tomy. Because if we define objectiv­ity as “without opin­ion” as opposed to “without emo­tion” than noth­ing is truly object­ive, because opin­ion is the inev­it­able con­sequence of inter­pret­a­tion, some­thing that must be done with everything we experience.

  15. Scamp
    Posted January 14, 2010 at 2:38 pm | Permalink

    @fmaestri90

    Not all anime fit nice and snug into genres. What is Full Metal Panic? Or Shak­ugan no Shana? Does Higur­ashi go in the same genre as Lucky Star because they’re both moe? Plus appeal out­side of the genre itself is import­ant. Death Note is shounen, but people out­side the shounen demo­graphic love it.

    @Sorrow-kun

    gaj­gas­ibg­saibgf­heb

    (see twit­ter)

  16. Write something here
    Posted January 15, 2010 at 2:25 am | Permalink

    Besides the obvi­ous “your argu­ment is a non-sequitur, idiot” I’m just going to leave you this google trends link for you to judge what’s the worth of mass opinion/interests. If, after tak­ing a look, you still don’t aban­don your absurd “democracy-rules!!1!!!1@11″ the­ory then simply your opin­ion doesn’t deserve con­sid­er­a­tion, such as the opin­ion of people who got Lord of the rings to the first place in IMDB list and then got the Joker’s movie with Batman’s par­ti­cip­a­tion, yet they don’t even know who Dreyer, Bresson or even Tarkovsky were.

    http://www.google.com/trends

    (Today people seem to be search­ing for “bet­ter” things, ussu­ally it’s just gos­sip, scan­dals and twilight)

    Must of what I said is, of course, purely sub­ject­ive. But still, your argu­ment is a non-sequitur and your opin­ion is idiotic.

    Cheers!

  17. Camario
    Posted January 15, 2010 at 5:02 pm | Permalink

    I can’t entirely agree with you here but I do see part of your point.

    I think every­one is entitled to have a dif­fer­ent opin­ion and pop­ular­ity is an object­ive sign of some­thing being con­sidered “good” by the major­ity, but that doesn’t neces­sar­ily mean it will stand up to fur­ther scru­tin­ity or that it can be uni­ver­sally clas­sifed as “good” period, par­tic­u­larly when com­par­is­ons to other works start being made.

    At the same time, there are crit­ics who are far too cyn­ical and won’t appre­ci­ate this or that product on any level if it doesn’t meet their per­sonal stand­ards, which aren’t neces­sar­ily as object­ive as they’d like to pre­tend since per­sonal tastes and expect­a­tions, which tend to be pretty sub­ject­ive once you get past cer­tain basics, also play a role.

    While a crit­ical ana­lysis might be more detailed than the aver­age fan­boy rant (although some­times that’s actu­ally not the case and the res­ults can be incred­ibly ironic…but nev­er­mind), I think we shouldn’t focus on pop­ular­ity and instead think about the spe­cific argu­ments that are brought to the table at any given tiem. It doesn’t really mat­ter if some­thing is sup­posed to be “good” if your state­ments can’t prop­erly back that up or vice versa. Stu­dio Ghibli’s movies aren’t great just because they have main­stream popularity.

  18. Scamp
    Posted January 15, 2010 at 10:44 pm | Permalink

    @Sorrow-kun

    Urgh…right, let me give this another go.

    Men­tal mas­turb­a­tion is group form? I’m going to say yes, cri­tique is noth­ing more than that. It can cer­tainly increase your enjoy­ment of a show as you learn dif­fer­ent insights about the show itself but the actual qual­ity of the show itself remains the same. Dis­cuss­ing it will not change the show itself. In a way, dis­cuss­ing a show only fills in the gaps you weren’t intel­li­gent enough to fill in yourself.

    Objectiv­ity and sub­jectiv­ity slid­ing scale…I’m sorry but I’m going to have to give up. There’s an ele­ment of truth in what you’re say­ing but I do believe there is such a thing as true objectiv­ity but whenever I tried to explain it I ended up in a web of contradictions.

    To give you an idea of a thought pro­cess I went through: If someone says some­thing is red, then that is fact and there­fore an object­ive state­ment. They know it is red. But in the past say­ing the earth was flat was an object­ive state­ment since they ‘knew’ it was flat. By that logic, someone say­ing some­thing a harem anime was ori­ginal because they hadn’t seen any oth­ers was an object­ive state­ment, which went on until I ended up say­ing a sub­ject­ive state­ment was object­ive and divid­ing the whole thing by zero and you get 42.

    I still don’t entirely agree with you. It’s just I can’t play ball back because my legs have fallen off.

    @flamer

    Hur­rah, my first flame! And it’s my favour­ite, one of those who get unhappy when their favour­ite obscure piece isn’t adored by the masses. You have, of course, missed the point where I poin­ted out that any real life applic­a­tion of this the­ory messes up when humans get involved because they are not the machines and do things like start cam­paigns to get Lord of the Rings up the charts, but I doubt you’re com­ing back. Ser­i­ously though, use your name next time. You’re obvi­ously an anime blog­ger since there’s no other way to find this blog at the moment, so man up next time.

    @Camario

    Right, as you can see I’ve had to rethink my ideas on the post. Basic­ally, I’ve had to throw out the idea of any­thing ever being object­ivly ‘good’. Sub­ject­ive en masse seems to be the closest you’ll get to defin­ine the qual­ity of the series.

    Stand up to scru­tiny’ is not a phrase I like because that there­fore defines that you can judge a show by object­ive stand­erds. Sorry, I know I’m chan­ging my tune here but there’s been some quite enlight­en­ing com­ments. While you can critque some­thing, that does not change the view of the show one has. It’s like I said to Sorrow-kun, arguing about the show doesn’t change the qual­ity of the show itself.

    Also, pop­ular­ity is not what I’m talk­ing about, I’m talk­ing about per­cent­ages. If 10 people watch some­thing and 9 of them like it, then that’s bet­ter than 10000 people watch­ing some­thing and 5432 lik­ing it.

    Urgh…sorry folks, my own thoughts on this have been scrambled on the sub­ject so sorry for inco­her­ant comments

  19. Write something here
    Posted January 16, 2010 at 2:58 am | Permalink

    Ser­i­ously though, use your name next time. You’re obvi­ously an anime blog­ger since there’s no other way to find this blog at the moment, so man up next time.”

    Is Scamp your “real” name? What point will it make for me to give you mine, or either a ran­dom inter­net alias? No, I’m no blog­ger, in fact I barely even watch anime. My brother, who is a fan of you, told me about your post.

    when their favour­ite obscure piece isn’t adored by the masses.”

    By no means, but using pop­ular­ity to demon­strate the “good­ness” of some­thing is non-sequitur, a concept you must have not under­stood…
    http://en.wikipedia.org/wiki/Non_sequitur_%28logic%29

    You have, of course, missed the point where I poin­ted out that any real life applic­a­tion of this the­ory messes up when humans get involved because they are not the machines and do things like start cam­paigns to get Lord of the Rings up the charts”

    No, I under­stood per­fectly, your the one who clearly doesn’t quiet know what a non-sequitur argu­ment is.

    Neodark­ness

  20. Scamp
    Posted January 16, 2010 at 7:08 pm | Permalink

    @Neodarkness

    You came back? I admit I didn’t expect that.

    I ignored the non-sequitur state­ment because that is no more than a poncy way of say­ing you suck at for­mu­lat­ing a point.

    Right, so the part you have a prob­lem with is that you don’t think that if every­one watches two movies and more people like the first than the second, then the first is a bet­ter movie, am I cor­rect? I’m assum­ing in this post that every­one has seen both movies. You are say­ing that humans will get things wrong and they will prefer a movie that’s not as good? Now that’s where I dis­agree, well, up to a point. The qual­ity of a movie is not some­thing that can be defined without people watch­ing it. It is whether the people who watch it think it is any good that decides whether it is good.

    Since you came back last time I’m going to assume you’ll come back again. This time please take bet­ter care to explain more clearly where you dis­agree. Not a single com­menter agreed with me, which has kinda showed me that I’m wrong with my con­clu­sions I’ve drawn here, but they all formed their points with a bit more cour­tesy. Please fol­low their examples next time

  21. Write something here
    Posted January 16, 2010 at 10:54 pm | Permalink

    It’s not that I suck at for­mu­lat­ing a point, I just assume I don’t have to spell every word and let­ter for a argu­ment to be pretty clear. Such as in non-sequitur, latin for “doesn’t fol­low”, as in “from pop­ular­ity doesn’t fol­low good­ness, what ever that may be”.
    Truth is some­thing being artist­ic­ally “good” is bey­ond logical/rational analisis. First, because such a concept is not prop­erly defined. Good for what? for whom? in what way? And second, because even if it were, the mesur­e­ment of qual­it­ies still remains sub­ject­ive.
    Essen­tially, the qual­it­ies that define good are sub­jet­ive and their agreg­a­tion doesn’t sudenly turn them objet­ive. A anime being good doesn’t fol­low from it’s weighted rat­ings, even in your hipo­tet­ical scenario.

  22. Scamp
    Posted January 17, 2010 at 10:56 am | Permalink

    Oh, you were call­ing your own argu­ment non-sequitur? OK, that clears up a lot.

    Truth is some­thing being artist­ic­ally “good” is bey­ond logical/rational analisis”

    That’s the state­ment that bugs me. Leav­ing aside logic and tak­ing the side of com­mon sense, it’s clear that (since you’re not an anime fan, I’ll take two movies I’ve seen recently) 12 Angry Men is a way bet­ter movie than The Break Up. Why? Because every­one who watches the two movies says so and clearly rate it higher. Try­ing to con­vert that com­mon sense into a logical all-encompasing the­ory hasn’t exactly worked though. As you said, sub­ject­ive masses doesn’t turn into object­ive fact because it, amongst other things, sug­gests that any­one who goes against pop­u­lar opin­ion is wrong.

  23. Write something here
    Posted January 18, 2010 at 12:14 am | Permalink

    You lost me there, no idea of what your try­inh to say.

    But, any­way, that com­mon sense your talk­ing about is everything but com­mon. Reg­u­lar people seem to think that some­thing made in the 90’s is old and hence bad (which I find amus­ing, since my favor­ite movie is from 1926)… You, your­self admited to a cer­tain pre­ju­dice against pre-youtube works in a art­icle con­cern­ing Akira, if my memory isn’t fail­ing me. That’s very indic­at­ive of the kind of audi­ence that con­sumes nowadays. Audi­ences with extremely short memorys and atte­tion spams (which has less of a poten­tial to affect anime as it ussualy is very short).
    But any­way, all that is sub­ject­ive. The point is, sadly (sadly because someone needs to tell twi­light fans and naru­tards how stu­pid their opin­ions are) we can­not estab­lish a object­ive “good” scale. The com­mon sense of which you speak, is rather uncom­mon, and very unreliable.

  24. Scamp
    Posted January 18, 2010 at 12:01 pm | Permalink

    Take the most crazilly intel­li­gent anime in existance, so com­plex that nobody can under­stand it. We are all too dumb to fully com­pre­hend the show and there­fore we don’t like it. That doesn’t mean it’s a good show. Naru­tards opin­ions aren’t stu­pid and many of them do watch quite a phe­nom­enal amount of other anime. If some­thing only appeals to a bunch of high-class elit­ists that doesn’t make their opin­ion more valid.

    Pre­ju­dice though…that’s hard to argue against. Some­thing like not lik­ing older anime just because they’re old, fair enough. But if some­thing por­trays neo-nazi ideals then it’s hard to hon­estly assess it without keep­ing your pre­ju­dice against nazi-idealism out of it.

    Which of course all works against my the­ory ever working…

  25. Posted January 19, 2010 at 9:19 am | Permalink

    Ah, I see, that’s per­fectly cool :P at first I thought you were being a d-bag and just ignor­ing me :( but thanks any­ways, I have you on my blogroll anyways.

2 Trackbacks

  1. […] made a post about defin­ing a ‘good’ anime and at first I thought it was about Code Geass (which I think it really is about Code […]

  2. […] (greatest work of art). But what makes a great show, let alone a good show? Barely the other day, Scamp and a couple other writers were talk­ing about what makes a “good anime,” and it made me […]

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