Season 2! Thanks to the big break since the last episode, I’m totally making this a second season.
Yeah the weeb married couple podcast is back where myself and Day from Gar Gar Stegosaurus argue about anime. We basically talk all about what we watched over the spring season, what we liked, what we didn’t like, and what had Inferno Cop in it. I’ll put timestamps in for each show so you can avoid spoilers where possible.
You can download the podcast or simply listen to it on the website below.
>>DOWNLOAD MP3 HERE<<
Wait, what date is it? Why is my twitter feed talking about anime I’ve never heard of? Oh shit, the new season has started already? I have a half-written season preview that can’t go unpublished! Damn, got to finish this thing right now. Quick, shut off Overwach for the first time in a month and hastily finish this thing.
So errr, welcome to The Cart Driver’s no longer world-famous because I stopped posting anything Anime Season Preview! Less fanfare this time because like 10 anime have already aired and if I don’t hurry this will all be outdated. No pictures, no trailers, just endless word barf with no way to turn off the faucet.
The opening of Big Order is, far and away, its biggest redeeming element. I say this not because it’s exceptional, but compared to every other aspect of the show, it’s the epitome of artistic expression. As Big Order collapsed into the realm of inanity, the decent OP remained its only consistent feature, setting expectations to middling heights that the show refused to even attempt to reach. So thank you for at least trying, Disorder. I just wish that Big Order put half the effort into everything else. Read More
Mayoiga has a significant problem between it and staying good, and it’s that everyone isn’t Lovepon. This may seem like a joke meant to further my virulent pro-Lovepon agenda and her insistence on executing everything that looks at her funny, but it is something that dramatically reduces the joy that I get from watching socially incapable idiots bumbling their way into solving a mystery. As Mayoiga shows them not only trying to be capable, but actually achieving capability, some of the magic is beginning to wear off. The characters are the show’s best feature, and it stepping away from the deranged interactions of the first couple of episodes to add to the plot isn’t doing it any favors. Read More
I loved her before it was cool. I think part of what made the whole scene great was the pointlessness of it too. She didn’t need to take off her jacket to pull back that lever but, on the other hand, she definitely needed to take off her jacket to pull that lever. Araki evidently has a thing for toned ladies given the incredible six pack Mikasa got in the anime version. He’s a man after my own heart. I will admit I am biased. I married a soldier so I have a thing for women with impressive musculature. But when an anime lady has defined muscles like this rather than the stick thin boring featureless bodies, I personally find that so much hotter. Not even just hot but also impressive in an attention to detail sort of way. It shows an animator somewhere has attended a life drawing class at some point and know how to draw muscles. People also just look more human too. You can often tell this with erotic material especially. The difference is seriously noticeable between someone who has taken life drawing and someone who hasn’t. Seriously, if you’re an aspiring artist, go take some life drawing classes.
I quite enjoyed the bit at the start where the main character showed these new guns and weapons he had built using the remains of the kabane. That’s some real Xcom shit right there. Grabbing the corpses of your enemies, not really understanding them, but deciding the best thing to do is to strap parts of them to your weapons so you can create even more alien corpses. I like the feeling of technological development over the course of the show. It’s similar to well done character development in that there’s a real sense of satisfaction when you can see how far they’ve come. Not many anime do that so it’s nice to see Kabaneri giving it a minor shot. I’ve now got an image of some kind of Kabaneri video game. A turn based tactics game where you upgrade your train as you go forward, making sure you don’t wear out your Kabaneri less you lose them.
Hang on get me a pen I need to write this all down.
How exactly did we end up with a kabane that is like 10 feet tall anyway? Given that he has this big growth coming out of his shoulder, I think you’re supposed to infer that in becoming a kabane he has somehow mutated. But I feel like his body proportions should be a lot more messed up if that was the case. Perhaps he was just a really tall man anyway, even before the kabane attacked. Just because we’re in the post apocalypse doesn’t mean freakishly tall people don’t still exist. Representation is important don’t you know. As a tall person I feel criminally under-represented in anime. Like I get Japanese people are smaller than average, but when “tall” in anime means someone who just about passes the 180 cm mark, I can’t help but feel marginalised. Now I know what it’s like for women with larger body shapes.
I call bullshit on the scene at the start of this episode. Ikoma is trying to disagree with Mumei so to shut him up she kicks him in the balls. Except as we’ve already established he apparently can’t feel pain. Hence kicking him in the balls shouldn’t cause him to curl up into the fetal position. If she had punched him in the nose I could have bought it because his face is still human and being hit in the nose hurts a lot. Perhaps the best explanation here is that he’s only just become a Kabaneri and therefore wincing from being kicked in the family jewels is a subconscious reaction. Or alternatively this is part of a revelation that kabane can still totally bone each other.